LESLIE (Charles), RAULIN (Joseph, traducteur)Livre Rare Book
1,266 results
1751ref. PHO-1679Londres, Nourse, 1751. 2 volumes in-12, veau marbré, dos à nerfs orné, pièces de titre et de tomaison, tranches rouges (Reliure de l'époque), coiffes usées, manque les pièces de titre et tomaison au tome 2
1694ref. 6757Lyon, J. Bapt. et Nicolas De Ville, 1694 ; in-12 ; plein veau havane moucheté, dos à nerfs décoré et doré, pièce de titre grenat, roulette sur les coupes (reliure de l'époque) ; (14), 559, (3) pp., et 2 vignettes gravées dont 1 au titre, 2 planches gravées dépliantes (tables d'airain) et quelques figures dans le texte.
1838ref. PHO-1194London, Richard Bentley, 1838. 2 volumes in-8 (21 x 13 cm), veau fauve glacé (reliure de l'époque), dos lisse orné, pièces de titre et de tomaison en maroquin grenat et olive, dentelles dorées et triple filet à froid encadrant les plats, roulette dorée intérieure et sur les coupes, tranches peignées, xii-403-[1];vi-441-[1] pages (complet). Coins usés, charnières frottées et fendues, coiffes accidentées ,manque au dos avec épidermure .
1973ref. 001183Grenoble Editions du Grésivaudan 1973
1836ref. 45942Leipzig, Edward Kummer, 1836. Small folio-oblong. (23x37 cm.). Contemp. modest hcloth. Boards rubbed. (4),27 pp. in double-columns with description of the plates. Before the plates an engraved titlepage with the text: ""Biblia Sacra Veteris et Novi Testamenti representata Centum Imaginibus Aeri incisis in Forma dimidii Plagulae transverssae, una cum Expositione dilucidativa. Augustae Vindelicorum. Prostat apud Antonium Klauber. MDCCCXXXV"". With 100 large engraved plates. (Plates sign. C.P.S.C.M. - Klauber Cath. Sc. et exc. A.V.). A bit of browning to edges of text and plates. Otherwise internally fine.
1836ref. 45942Leipzig Edward Kummer 1836. Small folio-oblong. 23x37 cm. Contemp. modest hcloth. Boards rubbed. 427 pp. in double-columns with description of the plates. Before the plates an engraved titlepage with the text: "Biblia Sacra Veteris et Novi Testamenti representata Centum Imaginibus Aeri incisis in Forma dimidii Plagulae transverssae una cum Expositione dilucidativa. Augustae Vindelicorum. Prostat apud Antonium Klauber. MDCCCXXXV". With 100 large engraved plates. Plates sign. C.P.S.C.M. - Klauber Cath. Sc. et exc. A.V. A bit of browning to edges of text and plates. Otherwise internally fine. hardcover
1875ref. E25861New York: E.P. Dutton 1875. Hardcover. fair. Very scarce. Part I all issued so far as can be determined covering the New Englans states and New York. OCLC locates only 12 copies in book form. Quarto sized 10" x 12" in blindstamped red cloth hardcovers stamped in gilt over black tape cloth spine. Unpaginated 46 pp. A uniquely designed geography/freading aid for young people that instead of maps features a full page of small hieroglyphic engravings for each descriptive word or group of words that illustrated notable facts places names etc. for each of the states covered. For example for Maine one small item is "The minerals are" with a small engraving of a handiron "granite" small picture of a rock; "More engraving of a ship are built here than in any other State". Each hieroglyphic page is followed by a single page of text of desciptive text which which is an non-illustated transcription of the the illustrated page. Covers well soiled though the gilt titling is still bright. Some tape stains to the dark brown endpapers front hinge split but all pages firmly attached; dampstaing to the lower aprox. quarter of all pages. Christmas 1882 gift inscription on the first front blank to a boy from his grandfather. Complete SOLD AS IS. E.P. Dutton hardcover
1810ref. 1302843London: M. J. Godwin 1810. Second Edition. Hardcover. Octavos 2 volumes. Volume 1: xi 1 235 1 Volume 2: 4 261 3 pages. In Good Plus condition. Bound in patterned light brown cloth rebacked with brown cloth. The majority of previous spine preserved including back labels with gilt lettering. Some chipping and rubbing to boards. Includes 20 engraved plates by Blake after drawings by Mulready including frontispieces one for each tale told within some plates offset onto the facing page including the title page for volume two. Some foxing/spotting throughout. With the bookplate of English Novelist Hugh Walpole on front pastedowns of both volumes; small bookseller sticker to front pastedown of volume one. shelved case 0. Lamb says in his preface that he "wished to make these Tales easy reading for young children.for young ladies too it has been my intention chiefly to wrote because boys are generally permitted the use of their fathers' libraries at a much earlier age than girls are they frequently have the best of Shakespear by heart before their sisters are permitted to look into this manly book"; Hugh Walpole was a best-selling author in the 1920s and 1930s with a large and varied output. Between 1909 and 1941 he wrote thirty-six novels five volumes of short stories two original plays and three volumes of memoirs. His range included disturbing studies of the macabre children's stories and historical fiction most notably his Herries Chronicle series set in the Lake District. He worked in Hollywood writing scenarios for two Metro-Goldwyn-Mayer films in the 1930s and played a cameo in the 1935 version of David Copperfield. As a gay man at a time when homosexual practices were illegal for men in Britain Walpole conducted a succession of intense but discreet relationships with other men and was for much of his life in search of what he saw as "the perfect friend". He eventually found one a married policeman with whom he settled in the English Lake District. Having as a young man eagerly sought the support of established authors he was in his later years a generous sponsor of many younger writers. He was a patron of the visual arts and bequeathed a substantial legacy of paintings to the Tate Gallery and other British institutions. wikipedia. 1302843. Shelved Dupont Bookstore. M. J. Godwin hardcover
1810ref. 1302843London: M. J. Godwin 1810. Second Edition. Hardcover. Octavos 2 volumes. Volume 1: xi 1 235 1 Volume 2: 4 261 3 pages. In Good Plus condition. Bound in patterned light brown cloth rebacked with brown cloth. The majority of previous spine preserved including back labels with gilt lettering. Some chipping and rubbing to boards. Includes 20 engraved plates by Blake after drawings by Mulready including frontispieces one for each tale told within some plates offset onto the facing page including the title page for volume two. Some foxing/spotting throughout. With the bookplate of English Novelist Hugh Walpole on front pastedowns of both volumes; small bookseller sticker to front pastedown of volume one. shelved case 0. Lamb says in his preface that he "wished to make these Tales easy reading for young children.for young ladies too it has been my intention chiefly to wrote because boys are generally permitted the use of their fathers' libraries at a much earlier age than girls are they frequently have the best of Shakespear by heart before their sisters are permitted to look into this manly book"; Hugh Walpole was a best-selling author in the 1920s and 1930s with a large and varied output. Between 1909 and 1941 he wrote thirty-six novels five volumes of short stories two original plays and three volumes of memoirs. His range included disturbing studies of the macabre children's stories and historical fiction most notably his Herries Chronicle series set in the Lake District. He worked in Hollywood writing scenarios for two Metro-Goldwyn-Mayer films in the 1930s and played a cameo in the 1935 version of David Copperfield. As a gay man at a time when homosexual practices were illegal for men in Britain Walpole conducted a succession of intense but discreet relationships with other men and was for much of his life in search of what he saw as "the perfect friend". He eventually found one a married policeman with whom he settled in the English Lake District. Having as a young man eagerly sought the support of established authors he was in his later years a generous sponsor of many younger writers. He was a patron of the visual arts and bequeathed a substantial legacy of paintings to the Tate Gallery and other British institutions. wikipedia. 1302843. Shelved Dupont Bookstore. M. J. Godwin hardcover books
1685ref. 53234München Johann Hermann Gelder 1685. 4to. Later hcalf rebound spine worn but intact. Shaved close throughout loosing pagination number mainly at end. Some leaves with repairs some loosing text. Scattered brownspots. Traces of use. Some leaves frayed in margins. 22 pp. lacking titlepage.The first part paginated 1-1506 the second part ca. 400 pp. pagination shaved and ending abruptly. 14 engraved plates mounted and some with loss and defective. With around 70 large textengravings by Leonhard Heckenauer Jeremias Renner H.G. Bodenehr et al. Richly illustrated by estimated Baroque-engravers such as Heckenauer Renner Bodenehr and others. unknown
1685ref. 53234(München, Johann Hermann Gelder, 1685). 4to. Later hcalf (rebound), spine worn but intact. Shaved close throughout, loosing pagination number mainly at end. Some leaves with repairs, some loosing text. Scattered brownspots. Traces of use. Some leaves frayed in margins. (22) pp., lacking titlepage.The first part paginated 1-1506, the second part ca. 400 pp. (pagination shaved and ending abruptly). 14 engraved plates, mounted and some with loss and defective. With around 70 large textengravings by Leonhard Heckenauer, Jeremias Renner, H.G. Bodenehr et al.
1948ref. 008728New York: Printed at The Spiral Press 1948. First edition. Paperback. This original Robert Frost 1948 Christmas Card features a trifecta of virtues. This is the first published appearance of this poem which had an unusual text history detailed further below. Of 2275 copies printed for 9 different names this is one of 375 printed for the poet himself. Last but certainly not least this is not only one of Frost's copies but is inscribed and signed by him. Following the first and second printed lines on the presentation page "This new poem brings Holiday Greetings from Robert Frost December 1948" Frost wrote "the Hendersons" and signed "Robert Frost". Condition is near fine. The gray-green card wraps are clean bright and sharp cornered the binding staple firmly intact and uncorroded. We note only a tiny blemish above the title on the front cover and a trivial hint of wear to the spine heel. The contents are crisp and clean lightly age-toned but with no spotting or soiling. With the permission of Frost and his publishers in 1929 the Spiral Press began printing an annual Robert Frost Christmas Card featuring one of his poems. The tradition continued until 1962 Frost's final Christmas. Each annual Christmas poem publication was printed with varying names on the title page to accommodate their being sent by various Frost publishers artists and important friends. This copy is one of those printed for Frost himself. The 1948 Christmas poem "Closed for Good" has an unusual textual history. After it was first printed here it appeared in a number of other Frost collections including in the 1949 edition of Complete Poems and the 1954 1955 and 1963 editions of selected poems. In 1962 a revised version of Closed for Good was published as part of In the Clearing. There the poem is altered; the first stanza lines 1-6 is deleted And becomes They in line 7 and the word brush becomes spread in line 24. This is clearly how Frost wanted the poem to evolve. In the Clearing was his final new collection and in 1958 Frost told Elizabeth Shepley Sergeant that he was trying out a new version of four stanzas. Nonetheless When Edward Connery Lathems edition of The Poetry of Robert Frost was published in 1969 the poem was presented in five stanzas and the two word changes restored to original. Given both Frosts manifestly deliberative use of words and the fact that the poem is a commentary on Frosts inheritance from the past and his legacy to the future the changes do not seem incidental. By 1948 when this poem first appeared in his annual Christmas card and he inscribed this copy Robert Frost 1874-1963 had already entered the final decades of his life as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Half a decade had passed since he had won his still-to-this-day-unrivalled fourth Pulitzer Prize for Poetry. This is all the more remarkable given that he did not publish his first volume of poetry until he was nearly 40 years old. References: Crane B19; Tuten and Zubizarreta; ANB Printed at The Spiral Press paperback
1959ref. 008606New York: Henry Holt and Company 1959. First edition first printing. Hardcover. This strikingly clean jacketed copy of the first edition first printing of Robert Frosts 1959 collection of Favorite Poems for Young Readers is signed by him "Robert Frost" on the title page just above his printed name. This collection takes its title from the words repeated at the end of each stanza of this book's first poem "The Pasture" first published as the prefatory to North of Boston in 1914. Of this collection the publisher said Frost "has gathered a group of his poems to be read to and by young people. To Robert Frost a great-grandfather with a remarkable number of small friends this was a labor of love. Frost dedicated the volume to his mother Belle Moodie Frost who knew as a teacher that no poetry was good for children that wasnt equally good for their elders. Evoking Frosts famous poem Mending Wall Frosts friend Edward Hyde Cox 1914-1988 who contributes a Foreword to this volume said of Frost that he had never added a single stone to the wall that so often separates age from youth. Prevalent among the 51 poems herein is Frost's gently subversive inclination to write verse that is superficially accessible "lovely dark and deep" upon sounding. This is a handsome book bound in orange-yellow linen cloth with a vignette of a bird on a fence post stamped in black on the lower right front cover corner and spine print stamped in black with a red acorn and leaf device between at the spine's center. The contents feature wood engravings by Thomas W. Nason and are bound with endpapers of heavy light gray wove paper and red and yellow head and tail bands. The dust jacket printed on beige laid paper features a wood engraving of birches spanning the lower front face spine and extending onto the rear face. The rear face prominently features Yousuf Karsh's famous portrait photograph of Frost. Condition is truly fine in a truly fine dust jacket. The illustrated cloth binding is immaculately clean and bright with sharp corners and only the most trivial hints of shelf wear to extremities. The contents are likewise pristine with no spotting soiling toning or previous ownership marks. "FIRST EDITION" is so stated on the title page verso. The contents retain a pleasingly stiff feel The dust jacket is crisp bright clean and entirely complete with no loss or tears and retaining the original "$3.00" upper front flap price. We note only a hint of wrinkling to the spine heel and a touch of soiling to the lower rear face. The jacket is protected beneath a clear removable archival cover. Publisher's statements are often hyperbolic. In this case the dust jacket's front flap description of Robert Frost as "America's beloved poet ageless and for the ages" was and remains more accurate than advertising. Before this volume was published on 26 March 1959 Robert Frost 1874-1963 reached the age of eighty-five. His stature had risen to an apex arguably unequalled by any American poet since. Frost had long-since won all of his still-unrivaled four Pulitzer Prizes for poetry 1924 1931 1937 and 1943. He spent his final years as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. Reference: Crane A39; Tuten and Zubizarreta; ANB Henry Holt and Company hardcover
1855ref. 15126Paris, Garnier-Frères, 1855 ; grand in-8 ; demi-veau glacé rouge sang, dos à faux-nerfs plats noirs à froid, caissons décorés et dorés aux petits fers dans un encadrement de filet doré, titre doré, plats de papier gauffré rouge (reliure de l'époque) ; VII, 528 pp., 18 planches hors-texte finement gravées sur acier d'après Allom, Beutley, Salmon et Leitch, très grande carte dépliante par L. Berthe, lithographiée et coloriée à la main.
1997New Turkish Original color photograph on positive paper. In original cover with its cartoon frame. Size: (all 50x60 cm - photograph 30x20 cm). Positive paper is a light-sensitive paper on which the image taken on the negative film was created in accordance with the original image. A short biography on verso. Signed by the photographer. 400 copies were printed. All copies were numbered. This is no. 196. Ara Güler was an Armenian-Turkish photojournalist, nicknamed "the Eye of Istanbul" or "the Photographer of Istanbul". He was "one of Turkey's few internationally known photographers". In 1958, the American magazine company Time-Life opened a branch in Turkey, and Güler became its first correspondent for the Near East. Soon he received commissions from Paris Match, Stern, and The Sunday Times in London. After completing his military service in 1961, Güler was employed by the Turkish magazine Hayat as head of its photographic department. About this time, he met Henri Cartier-Bresson and Marc Riboud, who recruited him for the Magnum Photos agency, which he joined (though later withdrew from). He was presented in the British 1961 Photography Yearbook. Also in that year, he was accepted as the only Turkish member of the American Society of Magazine Photographers (ASMP) (today called the American Society of Media Photographers). The Swiss magazine Camera honored him with a special issue. In the 1960s, Güler's photographs were used to illustrate books by notable authors and were displayed at various exhibitions throughout the world. His works were exhibited in 1968 in 10 Masters of Color Photography at the New York Museum of Modern Art and at Photokina Fair in Cologne, Germany. His book Türkei was published in Germany in 1970. His photos on art and art history were used in Time, Life, Horizon, and Newsweek and publications of Skira of Switzerland. Güler traveled on assignment to Iran, Kazakhstan, Afghanistan, Pakistan, India, Kenya, New Guinea, Borneo, as well as all parts of Turkey. In the 1970s he photographed politicians and artists such as Indira Gandhi, Maria Callas, John Berger, Bertrand Russell, Willy Brandt, Alfred Hitchcock, Ansel Adams, Imogen Cunningham, Marc Chagall, Salvador Dalí, and Pablo Picasso. Some critics consider his most renowned photographs to be his melancholic black and white pictures taken mostly with a Leica camera in Istanbul, mainly in the 1950s and 1960s. He has exhibited frequently since then, and also had his work published in special supplements. International publishers have featured his photographs.
Paris, Calmann-Lévy, 1946, 33 x 27 cm., ejemplar en rama con sus cubiertas originales en cartoné y estuche en cartoné (la tapa superior que cierra el estuche está desprendida), 2 h. + 315 págs. con grabados intercaldos + (Suite des eaux-fortes aux deux états de Pierre Watrin:) 59 láminas. (Ejemplar de la tirada de 60 ejemplares numerados en papel de hilo Velin, de una tirada total de 400 ejemplares).
1837ref. STLL0043München, M. Lindauer [1837]. 16° (82 x 50 mm). 32 nn. Bll. Text, 12 Tafeln, 5 Bll. vakat; mit 12 Leerblättern durchschossen. Rotes OLdr. mit Blind- u. Goldpräg. sowie Voll-Goldschnitt. Mit Lasche, Schlaufe u. lederner Bleistiftschlaufe. Gering berieben. Fehlt bei Köhring. Die 12 altkolorierten Kupfertafeln zeigen die Kalendermonate mittels kindlicher Darsteller. Der 'Münchener Sackkalender' erschien von 1832-1865. Nach Genealogie u. Kalendarium (mit Wetterprognosen) enthält der vorliegende Jahrgang zwei lyrische Beiträge König Ludwigs, Charaden, Rätsel, ein detailliertes Verzeichnis der Briefpost- und Wagen-Verbindungen in Bayern, zuletzt sogar eine Übersicht über die wöchentliche Floßverbindung von München über Passau nach Wien. Mit einigen zeitrgen. Bleistift-Notizen auf den letzten Leerblättern.
1980ref. 20836Newcastle: David Esslemont 1980; 1981; 1997. Limited editions. Paperback. Fine. 3 volumes. First vol.: xiv 1 24 pp. includes 22 numbered sheets with engravings printed on rectos only; second vol: xiv 1 32 pp. includes 28 numbered sheets with engravings printed on rectos only; third volume: 8 pp. pamphlet in blue printed wrappers accompanying 17 numbered loose sheets with engravings printed on rectos. All volumes unbound each in separate folder of natural linen and marbled boards housed together in matching slipcase with letterpress label. Impressions from the original blocks of Thomas and John Bewick and Bewick apprentice Luke Clennell. Printed by hand on a Columbian press on BFK Rives Velin Cuve paper by David Esslemont. Limited editions: "John Bewick" No. 104/140; "Luke Clennell" No. 99/100; "Thomas Bewick Birds" one of 100 unnumbered copies. David Esslemont paperback
1807ref. Flo543Very good copy of two scarce Thomas Rowlandson titles bound together With 14 of 16 copperplate engravings by Thomas Rowlandson in the first book and seven handcoloured copperplate engravings by Thomas Rowlandson in the second book Advice to Sportsmen Rural or Metropolitan Noviciates or Grown Persons with Anecdotes of the Most Renowned Shorts of the Day bound with The Pleasures of Human Life Investigated Cheerfully Elucidated Satirically Promulgated Explicity and Discussed Philosophically in a Dozen Dissertations on Male Female and Neuter Pleasures Advice to Sportsmen Thomas Tegg London 1809 by Marmaduke Markwell pseudonym b/w copperplate engravings drawn and engraved by Thomas Rowlandson The Pleasures of Human Life Longman Hurst Rees and Orme London 1807 by Hilaris Benevolus pseudonym of John Britton English antiquary topographer author and editor 1771-1857 two handcoloured engraved title-page vignettes by W. Bond after illustrations by William Satchwell and Sir Charles Bell and five handcoloured copperplates drawn and etched by Thomas Rowlandson Thomas Rowlandson 1757-1827 was an English artist and caricaturist of the Georgian and Regency eras noted for his ribald satire and social observation. A prolific artist and printmaker his most famous works include The Miseries of Human Life 1808 The Tours of Dr. Syntax 1812-21 Microcosm of London 1810 The English Dance of Death 1815 Military Adventures of Johnny Newcome 1815 History of Johnny Quae Genus 1822 The English Spy 1826 etc. Both books scarce: Advice to Sportsmen held by the British Library and London University Pleasures of Human Life held held by the British Library King's College Cambridge Universities of London Manchester Nottingham Durham Southampton etc. Bound in quarter green leather spine with raised bands gilt title on red leather label green marble boards rubbed book block solid. First book Advice with slight spotting and toning throughout 14 engraved plates with good dark impressions. Second book Pleasures in very good condition all text and seven handcoloured copperplates clean and bright with delicate and vivid colour. Thomas Tegg; Longman, Hurst, Rees and Orme hardcover
ref. SHL-12A Paris, Chez l'auteur, Boudet, Valleyre, Vve Duchesne, Saugrain, Ruault, 1776, in-8, demi-basane brune et papier à la colle, dos lisse à faux-nerfs filetés dorés, titre doré. Faux-titre, frontispice gravé par A. L. Romanet d’après C. P. Marillier « Mercure conduit par l'Amour, ou Invention du Langage et de l'Ecriture. », Page de titre, 400 pp, 1 tableau dépliant « Alphabet Primitif, fig. 1& 2 » et 1 Planche dépliante colorée « relative aux organes de la voix, en cinq figures…dessinées d’après nature et gravées en couleurs par M. GAUTHIER DAGOTY Père», signature gravée dans la planche. Reliure avec défauts d’usage, frottements, dos légèrement passé, en partie recollé en tête, mors supérieur fendu, coiffes et coins en bon état. Corps de l’ouvrage en très bel état : belles marges, peu ou pas de rousseurs, petites salissures dans la marge sup. du frontispice, les deux planches dépliantes en parfait état & notamment la planche colorée de M. Gautier-Dagoty aux teintes éclatantes. Edition séparée, du troisième volume « Du Monde Primitif (1773- 82, 9 vol. in-4) », augmentée de la planche colorée de Gautier-Dagoty, dont l’Explication des figures fut rédigée par M. Dessault, chirurgien à Paris. Elle est considérée comme originale car elle reparue en 1816, à Paris chez Plancher, sous le nouveau titre « Histoire naturelle de la parole, ou grammaire universelle, à l'usage des jeunes gens. Nouv. édit., avec un Discours préliminaire et des Notes par M. le comte Lanjuinais.» BRUNET II-1516 ; QUERARD II-316
Folio (480 x 310 mm), engraved dedication portrait frontispiece, 44 ENGRAVINGS OF 46 (LACKING PLATES 9 & 10), 22 of which are double-page, the plates and the text pages are paginated continuously from 1 to 52, faint staining to blank upper margins, some light browning, nineteenth-century half calf, covers detached. Berlin Catatalogue, 1864.
1638ref. 193614to. Cont. marbled boards somewhat worn. Engraved title with text on verso. 2 engraved allegorical titles with portrait of Drexel with the years 1638 and 1645. Having 50 of 54 allegorical and symbolical engravings numbered 1-54 nos. 172932 a. 41 lacks. Interfoliert. Some traces of use. A few tears repaired. At the title: FL = Johan F. Lindencrone. hardcover
1638ref. 193614to. Cont. marbled boards, somewhat worn. Engraved title with text on verso. 2 engraved allegorical titles with portrait of Drexel with the years 1638 and 1645. Having 50 (of 54) allegorical and symbolical engravings, numbered 1-54 (nos. 17,29,32 a. 41 lacks). Interfoliert. Some traces of use. A few tears repaired. At the title: FL = Johan F. Lindencrone.
1949ref. 001610Angoulême Jean Emery, Editions d'art, Collection "L'Heptameron" 1949
1767ref. 9225Amsterdam et Leipzig, Arkstrée et Merkus, 1767 ; huit tomes, grand in-12 ; plein veau havane à grandes marbrures, dos à nerfs décorés et dorés, pièces de titre grenat et de tomaison vert-sapin, triple filet doré d'encadrement des plats, filet doré sur les coupes, tranches marbrées (reliure de l'époque) ; (4) à chaque volume, LX, 343 ; IV, 358 ; II, 352 ; II, 418 ; IV, 396 ; XII, 392 ; XII, 351 (mal chiffrée 451) ; XV, (1), 364 pp et un portrait de Pope gravé par Kornlein, 1 frontispice par Delanonce, gravé par Kornlein, 23 figures hors-texte dont 7 signées de N.V. Frankendaal, même fleuron de titre aux six premiers tomes et second fleuron de titre aux deux derniers.
