2 094 résultats
1957Very Good English Paperback. Pbo. Roy. 8vo. (24 x 13 cm). In Turkish. 32 p., b/w ills. Rumeli Hisari. A study on Rumeli fortress.
réf. 14224Presses De La Renaissance, 1983 - Fort et grand in octavo broché de 485 pages, couverture unie rouge titrée en blanc et noir, le texte est émaillé de nombreuses illustrations et photographies, important appendice - 467-485 p. Bel et frais exemplaire.
1995Fine English Paperback. Pbo. 4to. (29 x 21 cm). In Italian and Turkish. 93 p., color ills. Raimondo d'Aronco in Turchia, (1893-1909). Progetti della Galleria di Arte Moderna di Udine.= Udine Çagdas Sanat Galerisi Koleksiyonundan Raimondo d'Aronco'nun Türkiye yillari, (1893-1909).
1996New English Paperback. In publisher's special slip-case. 4to. (29 x 21 cm). In English, Italian, and Turkish. 127, [1] p., color ills. A city in search if its history: Istanbul and an artist, Timur Kerim Incedayi.= Una citta sulle orme della Storia, Istanbul e un pittore, Timur Kerim Incedayi.= Tarihin izinde bir kent, Istanbul ve bir ressam, Timur Kerim Incedayi.[Exhibition catalogue]. Edited by Amelie Edgü. Texts by Ahmet Oktay, Murat Ural, Maurizio Calvesi. One of 2000 copies.
1664réf. PHO-1635Paris, Claude Barbin, 1664. In-4, relié plein veau marbré époque, dos à nerfs orné avec titre, une coiffe manque et accroc à la coiffe en pied, le frontispice manque, réparation au dernier caisson, tache d’encre pages 86-91, quelques feuillets brunis.
1980Roy. 8vo., Second Impression thus, with numerous fine coloured and monochrome photographs in the text, and coloured pictorial endpapers; pictorial boards, backstrip lettered in white, a near fine copy. SIGNED BY THE AUTHOR ON TITLE. The US edition was published in 1978.
1990New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. [2], 317, [1] p., 8 color plts. Constantinople - Istanbul en 1852. Texte presente et annote par Jacques Hure.
1991New English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In French. 47 p. Theophile Gautier a Constantinople. Lettres presentees par Jean Richer.
1850Very Good French Original color copper engraving. Oblong folio. (26 x 36 cm). Description in French. Incendie du quartier de Pera a Constantinople, 9 Aôut 1839. Painted by Theodore Gudin, (1802-1880); Engraved by Joseph John Skelton, (1783-1871). Rare color engraved print. Shows 1839 fire in Pera area in Istanbul (probably that district is Kasimpasa which mostly mariners live in), and its chaos: hectic people have appeared on the roofs of the burning houses, law enforcement agencies are working, and the muezzin has been seen on balcony for 'selâ'. Jean Antoine Théodore Gudin was a French painter of the 19th century, born in Paris. He especially painted navy scenes, and was a pupil of Girodet-Trioson. Gudin was one of the first Peintres de la Marine, at the court of Louis-Philippe and Napoleon III. Gudin died at Boulogne-sur-Seine in 1880. His daughter Henriette Gudin also became a marine painter. Skelton was an English engraver. He was brother of William Skelton, and became an engraver specialising in topographical and antiquarian subjects. Before 1819 he went to live at Oxford. Later Skelton settled in France. He was elected a Fellow of the Society of Antiquaries of London in 1825; his name disappears from its lists in 1844. At Oxford he published Oxonia Antiqua Illustrata (1823); Antiquities of Oxfordshire, from drawings by F. Mackenzie (1823); Pietas Oxoniensis, or Records of Oxford Founders (1828); and Engraved Illustrations of Antient Arms and Armour from the Collection at Goodrich Court from the Drawings, and with the Descriptions of Dr. Meyrick, (2 volumes, 1830). He also engraved the heading to the Oxford almanacks for the years 1815 to 1831, from drawings by F. Mackenzie and C. Wild; and executed a set of fifty-six etchings of the antiquities of Bristol after H. O'Neill. (Source: Wikipedia).
1993Very Good Very Good French Original bdg. Dust wrapper. Roy. 8vo. (24 x 17 cm). In French. [4], [xi], 280, [12] p., 18 numerous b/w plts. Les Iraniens d'Istanbul. Varia Turcica: XXIV. Bibliotheque Iranienne: 42.
1993Fine English Paperback. Pbo. Roy. 8vo. 69 p. In English. Color and b/w ills. Yildiz Palace Sale Kasr-i Hümâyunu. Translation: Priscilla Mary Isin.
1990Very Good English Paperback. Pbo. Large 8vo. [20] p. In Turkish. Fully color ills. Exhibition catalogue of antique trays with view of Constantinople. Tepsilerde manzaralar. [Exhibition catalogue].
2011New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 79 p., color ills. Like moths to the flame: The Ottoman fire brigades.= Ates pervaneleri: Tulumbacilar. [Exhibition catalogue]. February 24 - May 31, 2011. 500 copies were printed. Our struggle, conducted under the direction of Alm I las beginning in 1005, to see that the machines and items used in, and the documents and photographs pertaining to the Cibali Tobacco and Cigarette Factory be returned to their rightful place, reached a positive conclusion in 2008, when these items were temporarily handed over to the Rezan Has Museum after being inventoried at the Museum for the History of Science and Technology in Islam. Following two years of restoration and conservation work, we held the first of a series of exhibitions about the Factory, titled "Like Moths to the Flame: The Ottoman Fire Brigades", in order to revive the spirit of the Cibali Tobacco and Cigarette Factory and to share with you t hi- important historical artifacts on their way back home. The "Like Moths to the Flame: the Ottoman Fire Brigad(-: features those indomitable heroes of the city of Istanbul, managed again and again to rise from the ashes. Heroes outfits, performers of daring acts, these brave characters fearir:ssly fought the fires that were Istanbul's greatest nightmare. Firei'vtj.i.t.(2rs, those voluntary soldiers of Istanbul, had their own unique culture, their own rally cries, attitudes, and sayings, their own characteristic relationships, and even veritable tradition of criminal incidents amongst their own, all of which provide insight into the street culture of the city of Istanbul, and the socio-cultural structure and state politics of the period. In addition to the artifacts and historical documents belonging to the Cibali Tobacco and Cigarette Factory, our exhibition also contains selected items from the Istanbul Metropolitan Municipality Directorate of Libraries and Museum's Firefighting Museum Collection and the Suna and Inan Kirac Foundation's Old Istanbul Photographs Collection. Numerous individuals worked together to make this exhibition happen, and to each of them we would like to express our thanks. First and foremost the Ministry of Culture and Tourism, but also the Atatark Library, our team who so painstakingly worked on the restoration and conservation of the works exhibited, Prof. Dr. Baha Tanman for his contributions, Galru Tanman, who was so generous with her support, and the Istanbul Research Institute, all of you have our eternal gratitude.
2013New New English Original bdg. Dust wrapper. Color photos. In English and Turkish. 191 p. Wiew of Istanbul from minaret balcony.= Serefeden seyristanbul. [Album of photographs]. ISTANBUL Constantinople Photography Mosque Social life.
2016New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In English and Turkish. 143, [1] p., color and b/w ills., 1 folding b/w panorama of Constantinople. The city gates of Istanbul.= Dersaadet'in sur kapilari. Photographs by Halit Ömer Camci. Prep. by Fatih Güldal.
1999Fine English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
1999New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
2013New English In original decorative cloth bdg. Folio. (41 x 31 cm). In English. Color ills. 218, [1] p. A very heavy volume. Fisher's illustrations of Constantinople and its environs. Constantinople and the scenery of the Seven Churches of Asia Minor. Illustrated. In a series of drawings from nature by Thomas Allom. With an historical account of Constantinople, and descriptions of the plates, by the rev. Robert Walsh, LL. D. ISTANBUL - Constantinople Ottoman culture Engraving Illustrations History of art Travel Voyage Memoirs Archeology Byzantium Western travellers.
2001New English Original bdg. HC. In publisher's box. Folio. (41 x 34 cm). In English. 365 p., 187 color photographic plts. Sculptured for eternity. Treasures of Hellenistic, Roman and Byzantine art from Istanbul Archaeological Museum. Photos by Ahmet Ertug. "The Istanbul Archaeological Museum is home to some of the world's most important collections of archaeological artifacts. The text of this splendid book, whose subject is the museum's rich collections of Hellenistic, Roman, and Byzantine sculpture, was prepared by Dr. R. R. R. Smith, a professor of archaeology at Oxford University. All the works were photographed by Ahmet Ertug, whose images of such masterpieces as the Alexander, Sidamara, and Lycian sarcophagi are presented as stunning panoramic views. The photographs in this book together with facsimile reproductions of the original sculptures were exhibited in the Tuileries Gardens of the Louvre Museum in Paris in August and September 2002, an artistic event that was attended by about 50 thousand people in the course of just two months' time. 34 by 41 cms., hardbound covered with Japanese cloth, presented in a special case.". A very heavy volume. Extra shipping fee will be requested.
2004As New As New English Original bdg. Dust wrapper. Mint. 4to. (31 x 25 cm). In English and Turkish. 216, [1] p. Color photos. Beyoglu. A city where cultures meet.= Beyoglu. Kültürleri bulusturan kent. [Album of photographs].
2015New English Original bdg. HC. 4to. (31 x 23 cm). In English. 288 p., color and b/w photos. Colorful Besiktas. [Album of photographs]. Photos by Baris Acarli, Izzet Keribar et alli. "The capital of an empire, the son of republic, the place that religions blend together, the junction that history and today meet, The Bosphorus paradise, the land of gardens, home of palaces, mansions, quarters which are still alive, the place of day and night, Besiktas, Kabaa of black and white.".
1986Fine English Original bdg. in original dust wrapper. In original and special slip-case. Large 4to. (36 x 26 cm). Color and b/w ills. 224 p. An introduction to the Ottoman architectural heritage in Istanbul. Large format interior and exterior views of Ottoman mosques, Topkapi Palace, and Bosporus villas are accompanied by informative text. Many original architectural line drawings (plans, sections and elevations) by the noted architect Sedad Hakki Eldem are also included.
2009New English Original bdg. HC. Oblong 4to. (22 x 30 cm). In English and Romanian. 115, [140] p., fully color ills. Byzantine manuscripts in Bucharest's collections.= Manuscrise bizantine în colectii bucurestene. Project coordinator: Ileana Stanculescu. From the first article: "From the photographs taken over time, we chose those which best capture a special artistic quality with their strictly documentary value. This selection of manuscripts ends before the dawn of the 16th century, given the common view that after the fall of Constantinople (1453) we can no longer speak of a truly Byzantine culture, but only of a Byzantine style, albeit one which continued to shine. The selection of images was also intended to emphasize not only the aesthetics of the illuminated folios, but also those details that are significant for the codices as a whole, things which would dryly translate today as typeface font type, page layout and binding. Far from the sight of all interested parties, the Byzantine manuscripts in the Bucharest repositories are still full of mysteries waiting to be discovered and explained by researchers. We present these images here to provide a platform for a wider discussion of the significance of the Byzantine legacy for Romanian pre-modern culture. For the identification and description of the items chosen we used several catalogues, either manuscript or in print, which we then compared with the corresponding labels used by the repositories. The bibliography at the end of the volume indicates the various catalogues used for each collection. We found a wealth of details pertaining to the manuscript collections of the Romanian Patriarchy in the album published by the archimandrite Policarp. This is an excellent occasion to thank the specialists involved in the inventory of the collection for the additional information they supplied. We extend our warmest gratitude to them.Here and there we updated and corrected the information found in the aforementioned sources in the light of recent research: the dating of ms. sl. II 280, from the Library of the Holy Synod of the Romanian Orthodox Church at the Antim Monastery. We thank Mrs Tatiana Popova (University of St. Petersburg in Severodvinsk), for the observation that we are dealing with a direct copy, made at the end of the 14th century, of the Russian metropolitan Kyprian's reworking (dated 1385) of the Ladder of John Climax. Ms. sl. II 280 belongs to a group of manuscripts kept at Antim Monastery, but originates from a collection in Slava Rusa, a settlement in Dobrogea and a known...".
2002Fine English Paperback. Pbo. Small 4to. (26 x 22 cm). 95 p. Ills. In Turkish. Soylu yesil incirler ve turuncu portakal kabuklari. Edited by: Nurettin Çelik.
2000New English Original bdg. HC. In special publisher's box. Folio. (41 x 30 cm). In English. 257 p., 107 numerous color plts. Chora: The scroll of heaven. Photos by Ahmet Ertug. First Edition. The building that was originally the Monastery of the Holy Savior in Chora is regarded as one of the most sublime examples of Byzantine art because of its early 14th century mosaics and frescoes. The level of artistic achievement attained in the Chora frescoes parallels the Pre-Renaissance movement that began in Italy and heralds the advent of a new style in Byzantine art. Chora: The Scroll of Heaven takes the reader on a scholarly and artistic journey that delves all the details of this jewel-like structure. The book's text was written by Cyril Mango, one of the most respected names today in the field of Byzantine art history, while its photographs were taken by Ahmet Ertug, an internationally recognized architect and photographer. The photographs appearing in the book were exhibited at the International Byzantine Congress held in Paris in 2002, where they received many accolades. The exhibition was repeated at the Japan Foundation in Tokyo during August 2003 and at the New York Art Institute in May 2004. 30 by 41 cms., hardbound covered with Japanese cloth, presented in a slipcase. BYZANTIUM Byzantine art Architecture Constantinople Istanbul Kariye Church Mosque History of art Mosaic Christian art Icon.
