ZINOVIEW (Alexandre).Livre Rare Book
22.046 resultados
1925ref. 125061925 1 Gouache originale, rehauts d'or, mine de plomb, signée en bas à droite, (1925), 27 x 18.5 cm.
1869ref. 2677DBLeipzig und Winterthur, Rieter-Biedermann, (1869). Folio. (6) Bl., XXXI, 269 Seiten (gestochene Noten). Mit 1 gest. Portrait von C. Gonzenbach, 4 Stahlstichtafeln von Heinr. Merz und 2 Seiten Notenhandschrift-Faksimile. Blind- und goldgeprägter Original Leinenband mit Goldprägunge und -verzierungen.
1934ref. DEMO016439INew York: Random House 1934. First edition. Hardcover. Very Good/good. Octavo 57pp. black cloth; dj chipped archivally repaired chips; inked name of Nancy Doss on front pastedown some toning to endpapers from dust jacket. Wilson A21a. Full-page inscription by Gertrude Stein to O. J. Kedlec a collector from Forest Park Illinois. Stein's inscription repeats the title of this work and she wrote it from Bilignin par Belley Ain France." Random House hardcover
1791ref. 3005370Paris: l'Auteur 1791. Some small tears and damage. A very good copy. Octavo; original condition stitched in plain blue-grey wrappers. First edition of one of the most popular operas of the Revolution depicting the down-trodden villagers of the Moon after the arrival of the glamorous aviator Nicodème bringing news of events in France via Montgolfier balloon. Although this was an era of tremendous advances in stagecraft as the theatres of Paris and London vied with each other for the most stupendous effects Beffroy's lunar setting and the use of space travel by hot-air balloon was highly unusual. Beffroy de Reigny 1757-1811 was a successful journalist and dramatist usually writing under the nom-de-plume of "Cousin Jacques." His most important works were written in the period immediately following the French Revolution and he was fond of using lunar society to satirise the French as can be seen in his burlesque journal Les Lunes and its successor the Courrier des planètes. This is one of several Paris editions of the same year another appeared in Avignon and a "third" edition of 1797 is also recorded the last with subtle but pessimistic changes to the text. As the title confirms the opera was first performed in November 1790 running for over four hundred performances. . l'Auteur unknown
1614In 8, pp. 41 + (1) + (2b) con 2 tavv. f.t. inc. all'acq. di cui una funge da front. con ill. dell'Annunciazione e stemmi. La seconda tav. presenta l'inc. del grande stemma di Alessandro VII, di Roma e del cardinale Barberini. Le ultime 2 cc. (indice e carta bianca) presentano nel marg. inf. una mancanza dovuta a bruciatura. Cart. coeva. Statuti della confraternita della Nunziata, importante opera pia romana che, fra i vari suoi scopi, aveva quello di dare ogni anno la dote a ragazze povere. Cat. Bibl. Senato, VI; 229-30. Rossetti, 9996.
ref. 39083In-12 (182 x 102 mm), toile éditeur préservée sous rhodoïd transparent, pièce de titre dorée sur bleu, 366, (2) pages. Berlin und Frankfurt am Main, Suhrkamp Verlag, [1959]
2 ouvrages reliés en un volume in-8, demi-basane vert bronze, dos lisse orné de filets et palettes dorés (rel. ca 1850). 1- Edition augmentée de l'important "Discours préliminaire", bien complète des 10 planches hors-texte de musique. Sur cet ouvrage et la rupture introduite par le 'Discours préliminaire' cf. F. Escal, 'D'Alembert et la théorie harmonique de Rameau', revue Dix-huitième siècle, n°16 - "D’Alembert", p. 151 sq. (Gregory, p. 11. Cette édition manque à Cortot et à Fétis). 2- Deuxième édition, à la date de l'originale, avec les fautes corrigées. "Le traité de l’abbé Roussier décrit la formation des accords, donc de l’harmonie, qu’il convient de maîtriser parfaitement pour jouer une partie de basse continue" (Expo. virtuelle, Bibliothèque de Toulouse). "As a proponent of Rameau's theorie, his goal was to reduce fundamental bass rules to a rigorous system that avoided speculative propositions. This 'Traité des accords' is a compendium of chords and laws: thoroughbass chords are methodically described, related to three basic fundamental chords, and then labelled by a letter-plus-number notational system that indicates a chord's root and hierarchy in the scale. Roussier diverged from Rameau on the issue of double emploi" (Grove Music Online). (Cortot, p. 173. Gregory, p. 238. Cette édition manque à Fétis).
1814Folio piccolo, pp. (4), iv, 126, 1 c.b. e 77 tavole di musica. Legatura in carta azzurrina.the Traité de mélodie (1814) was being examined for the Académie by Méhul at the time of his death. Concerned primarily with melodic phraseology, this treatise examines melody apart from its relation to harmony. It distinguishes rhythm from metre, differentiates among cadential goals of unequal strength (using the analogues of 18th-century grammar and rhetoric) and supplies one of the first descriptions of sonata form that emphasizes thematic rather than tonal aspects. Comments on singers’ embellishments and the use of national airs to impart local colour round out the treatise.
1838In 8 (cm 18 x 22,5), pp. 18 + (2). Firma al frontespizio "Sig. Puzzi" (si tratta di Giovanni Puzzi, il celebre virtuoso nello strumento del corno che si trasferi' in Inghilterra e il cui nome compare anche nella pubblicazione tra i musicisti presenti). Brossura rifatta con carta d'epoca. Programma del Grand Musical Festival, tenutosi presso l'Abbazia di Westminster il 2 luglio 1838, per celebrare l'incoronazione della regina Vittoria avvenuta il 28 giugno di quell'anno. I proventi andarono al Westminster Hospital. Tra i cantanti presenti figurano Giulia Grisi, regina dell'opera italiana, verso la quale la regina Vittoria nutriva una vera passione - cosi' come per la musica lirica italiana in generale - Giovanni Battista Rubini, Antonio Tamburini, Anna Bishop, Mary Shaw, Puzzi, e altri. Il gruppo vocale e strumentale presente era costituito da oltre 400 performers. Rarissimo (una sola copia presente alla Pierpont Morgan Library di New York).
1869ref. 2677DBLeipzig und Winterthur, Rieter-Biedermann, (1869). Folio. (6) Bl., XXXI, 269 Seiten (gestochene Noten). Mit 1 gest. Portrait von C. Gonzenbach, 4 Stahlstichtafeln von Heinr. Merz und 2 Seiten Notenhandschrift-Faksimile. Blind- und goldgeprägter Original Leinenband mit Goldprägunge und -verzierungen. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C
1702ref. PHO-1764Paris, Michel Brunet, 1702, in-folio, 3ff.-30pp., relié plein veau époque, dos à nerfs, manque au dos, frottement, vieille mouillure marginale, manque le frontispice.
1738ref. 45275Halle, Orphanotrophei (= Waisenhaus-Buchhandlung), 1751-1761 bzw. 1738 (Dissertationes). Gr.-8° (23 x 19 cm). Titelbll. in Rot u. Schwarz m. Holzschn.-Vignetten. Zus. ca. 4500 S., Blindgepr. Pgmt.-Bde. d. Zt. m. goldgepr. Rückenschild u. dreiseitig gespränkeltem Farbschnitt.
ref. 4947Antverpiae, Ex officina Christophori Plantini, 1582, 8°, [8, dont le titre]-486-[2 = blanches] p.- Suivi de : Animadversiones Simeonis Bosii in Epistolas M. T. Ciceronis ad T. Pomponium Atticum [...]. Antverpiae, Apud Christophorum Plantinum, 1585, 8°, [8, dont le titre]-208 p., plein vélin ivoire à rabats de l'époque, dos lisse, titre ms. à l'encre,
1925ref. 147171925 1 Pochoir signé du monogramme-cachet au verso, (1930), 28.5 x 21.3 cm.
1571ref. 48889Venedig, Bartolomeo Rota, 1571. 4°. Mit Holzschn.-Druckermarke a. d. Titeln sowie zahlr. Holzschn.-Initialen im Text. 10 Bll., 1064 S., 90 Bll. (das letzte weiß); 1152 S., Spätere HPgmt.-Bde. m. durchzogenen Bünden u. goldgepr. Rückenschildern.
1748ref. 39436Venedig, Gasparis Ghirardi, 1748. Fol. Mit zahlr. Holzschn.-Vignetten u. -Initialen. 4 Bll., LXX, CXXVII, XLI, 707 S.; 2 Bll., 924 S., Pgmt.-Bde. d. Zt. m. goldgepr. Rückenschildern u. dreiseitigem Rotschnitt.
1757ref. 41431Venedig, Simon Occhi, 1753-1757. Fol. Titelbll. m. Holzschn.-Vignetten (der erste Titel in Rot u. Schwarz). Mit einer gest. Anfangsvignette u. zahlr. Holzschn.-Vignetten u. Initialen im Text. LXXX (recte LXXXII), 1582 Sp., (1 S.); XVI Sp., XIII S., 1668 Sp.; 6 Bll., CCCXX, 2000 (recte 1100) Sp., Ldr.-Bde. d. Zt. a. 5 Bünden m. reicher Rückenverg., je 2 goldgepr. Rückenschildern u. dreiseitigem Rotschnitt.
1836ref. 25088Paris, Maurice Schlesinger, Jonas et N. Barba, (Impr. A. Everat et comp.), 1836. In-8°, 17x27 cm, 2 cahiers broches sans couverture 31 pages. Un pli oblique pas trop marque, quelques rousseurs. Rare, rare. Edition originale. Etat acceptable.
1925ref. 242941925 Encre de Chine titrée et signée en bas à gauche, (1925), 28,5 x 19 cm.
1985Otto volumi; in 16 (18x12) Legatura editoriale in pelle, sovracoperta plastificata e cartone protettivo illustrato in b/n; tomo 1 pp. 1776, tomo 2 pp. 1728, tomo 3 pp. 1664, tomo 4 pp. 1568, tomo 5 pp. 1744, tomo 6 pp. 1504, tomo 7 pp.1648, tomo 8 pp. 1904; ottimo
1803ref. 62949Jena, in Bibliopolio Academico, 1802-1803. 8°. Mit einem Titelportrait Spinozas v. H. Lips u. einigen Textholzschnitten. XXIV, XXIV, 700; XXXX, 680 S., Etw. spätere Ppbde. m. handschriftl. Rückenschildern u. dreiseitig gespränkeltem Farbschnitt.
1950ref. 002405Paris Toutain 1950 In-12 Broché, couv. illustrée Ed. originale
2008ref. BN395215Presses universitaires de Rennes 2008. 2008. La rue dans l'Antiquité: Définition aménagement et devenir de l'Orient méditerranéen à la Gaule : actes du colloque de Poitiers 7-9 septembre 2006 organisé par l'équipe d'accueil EA 3811 HERMA Université de Poitiers La rue dans l'Antiquité: Définition aménagement et devenir de l'Orient méditerranéen à la Gaule : actes du colloque de Poitiers 7-9 septembre 2006 organisé par l'équipe d'accueil EA 3811 HERMA Université de Poitiers Pascale Ballet Presses universitaires de Rennes unknown
1939ref. 63657London: Royal Opera House 1939. Folio. 8 pp. Large pictorial stiff card wrappers with tassels at spine. In custom made half red morocco solander box with leather title label and felt corner-pieces. Front and rear cover designs by Rex Whistler. Printed programme. Spotting to covers. Internally fresh. A performance by the Vic-Wells Ballet under the direction of Ninette de Valois and The London Philharmonic Orchestra conducted by Constant Lambert and Sir Thomas Beecham. Scarce. Very good example. . Near Fine. Wraps. 1939. Royal Opera House 1939 paperback
