[Fluxus] George Maciunas (design); La Monte Young (editor, publisher); Jackson Mac Low (publisher)ABAA
32 009 résultats
1963réf. 167273New York: Self published 1963. Vintage subscription advertisement for the seminal proto-Fluxus manifesto utilizing George Maciunas' eye-catching designs and advertising a price of $2.98. INSCRIBED and dated by editor La Monte Young in manuscript pencil: "To - / 97 XII 19 5:03:31 PM NYC / La Monte Young." La Monte Young is one of the most influential experimental composers of the modernist era and is primarily remembered today as one of the originators of minimalist drone music. Several of Young's compositions were collected in various Fluxus editions beginning in the early 1960s including "Trio for Strings" from the "FLUXUS 1" anthology. Single card measuring 2.5 x 10.25 inches glued at the ends and folded to form an open cube. Faint rubbing else about Fine. Self published unknown books
1974réf. 21492New York Thomas Y. Crowell 1974. HBDJ1974. 1st Edition; 1st Printing.with #1 Intact Number Line FINE- in NF DUST jacket; Text pages generally clean & bright DJ minor rub wear light Scuff tiny Chips tears Extremities Blue cloth cover light Wear lettered in White & Orange with Yellow on Spine 276 Pages Index. Signed by Author. First Edition. Hard Cover. New York Thomas Y. Crowell hardcover
réf. 71496Kyoto Taisho 1914. In two volumes of ten. Large 8vo size 25.0 x 18.1 cm. 42 21; 21 leporello "pages" each with pochoir illustrations several heightened with silver and either double-sized covering two pages one page sized or smaller with two or more on one page for a total of 78 39; 39 different designs. Original near uniform printed soft covers heightened with silver and gold. = An amazing inspiring collection of pochoir stencil designs apparently for wallpaper and fabrics. Edited by Shôkyô Tsuji. Volume II is devoted to dyeing and volume III to weaving. Many of the very colourful illustrations are reminiscent of the Art Deco style yet more daring and colourful often using bold and unexpected colours and - of course - slightly ahead of the Art Deco period in western countries. The volumes are numbered two and three in Japanese. Volume I and 4-10 are not included. The bookblocks and covers are original. One leaf with some creasing before printing another a bit smudged due to offsetting of silver; tear in one fold. One rear board detached otherwise a very good clean set. paperback
First Edition, 4to, [ii],v,[vi]-33,[1]pp., with half-title, without final errata leaf, 6 leaves of plates (of which 4 are folding), orig. boards with bookseller's label for C.P. Archer of Dublin mounted on upper cover, spine worn a defective, unopened, uncut. First edition of this scarce work on ornamental turning. "All the pieces described have been worked by a Lathe of the most common and least expensive description, with the addition only of the 'Eccentric Chuck' and 'Fixed Sliding Rest': my great wish and aim have been to confine my specimens of work to such as can be produced by the most economical apparatus, and, I flatter myself, the descriptions given with the plates will be found sufficiently clear and distinct, to enable any amateur, however young in the art, to accomplish any of them, should they be deemed worthy of imitation."?Preface.
1985Premessa di Jan Morris. Fotografie di Gilles de Chabaneix. Sovraccoperta leggermente usurata agli angoli e alla cima del dorso, con presenza di strappo. Piccolo strappo presente al piatto superiore. Legatura leggermente macchiata ai margini, con titoli sia al piatto superiore che al dorso. Pagine ben salde alla cerniera, con ampio margine, su carta patinata. Numerose le illustrazioni presenti nel testo, a colori, con didascalia. Numero pagine 290. USATO
1980Volume numero 1 appartenente alla collana Segni. Presentazione di Elvira Lorrain. Documentazione a cura dello studio di ricerca didattica audiovisiva di Kolher e Mattei. Copertina leggermente stanca agli angoli; piatto posteriore lievemente brunito. Pagine salde alla cerniera, con ampio margine, brunite lievemente, così come i tagli. Volume per lo più illustrato. Numero pagine 71. USATO
2018Volume in lingua italiana ed inglese. Coperta rigida a tutta tela beige con titoli impressi in oro al dorso ed al piatto anteriore mostrante quasi impercettibili segni di usura da sfregamento. Pagine in buono stato di conservazione anche se già lette e sfogliate ricche di illustrazioni a colori nel testo. Numero pagine 214. USATO
2008I edizione, introduzione di Andrea Carandini, pagine in ottimo stato di conservazione, con 118 figure in nero nei testi, appena ingialliti i bordi, brossura editoriale illustrata, lucida, con alette e con lievissimi ed inevitabili segni di usura. Numero pagine 283 USATO
1959Legatura tutta tela verde, con titoli in oro al piatto ed al dorso all'interno di tassello nero, leggermente scolorita dal tempo, con piccoli aloni chiari e piccole abrasioni. Pagine leggermente brunite, come pure i tagli, salde, con ampio margine e qualche leggera gora, con tracce di umidità ed alcune unite tra di loro, corredate da numerose illustrazioni nel testo, a colori ed in bianco e nero, con didascalia e da una carta ripiegata a fine volume. Numero pagine 337. USATO
1996Volume edito con la consulenza di Sotheby's. Pagine in buono stato di conservazione anche se già lette e sfogliate e quasi impercettibilmente ingiallite dal tempo ai tagli ricche di illustrazioni in bianco e nero ed a colori. Coperta rigida in cartonato nero con titoli impressi in oro al dorso. Numero pagine 176. USATO
2003Volume numero 35 appartenente alla collana Le chiese di Roma illustrate, nuova serie, collana di monografie fondata da Carlo Galassi Paluzzi. Copertina leggermente stanca agli angoli, ai margini e alle estremità del dorso, dove è presente una piega sulla lunghezza; piatti lievemente macchiati. Pagine ben salda alla cerniera, con ampio margine, su carta patinata. Presenti numerose illustrazioni in bianco e nero, nel testo, con didascalia. Numero pagine 267. USATO
1997II edizione, prefazione dello stesso A., pagine ingiallite ai bordi causa tempo, con figure in nero nei testi, brossura editoriale flessibile, illustrata, con tracce di polvere, ingiallita ai margini e con lievissime tracce d'uso. Numero pagine 220 USATO
1961Volume numero 4 appartenente alla collana collezione d'arte. Sovraccoperta usurata agli angoli, ai margini e alle estremità del dorso, con presenza di strappi su entrambi i piatti; presente angolo ritagliato al risvolto superiore. Legatura con titoli solo al dorso lievemente macchiata ai piatti e alle estremità del dorso. Leggera fioritura alle controguardie. Pagine salde alla cerniera, con ampio margine, brunite, così come i tagli. Presente fioritura sparsa. Numerose le tavole fuori testo, su carta patinata, con illustrazioni in bianco e nero, con didascalia. Numero pagine 52. USATO
1978réf. 56289Los Angeles CA & Detroit MI: Chrysler Corp. ca. 1978-1980. 4to. 103 colour and black & white photographs sized 8 x 10 in. w/ nearly all featuring inventory numbers on versos many w/ concept artist’s identifying marks at lower fore-edge of images all w/ 3-hole punch at upper fore-edge. Black vinyl 3-ring binder manuscript label on spine w/ 1 sheet of manuscript tucked-into front cover entitled “Image Studies” rounded corners slight shelfwear light toning to leaf of manuscript NF exemplar. A fascinating Chrysler Corp. Design Group photo archive documenting the development of the full scale mock-ups and designs for the 1978 & 1979 Chrysler 300 Chrysler Cordoba as well as the rebadged Dodge Charger early concepts for the Dodge Minivan 5 years before introduction and the under appreciated Dodge Omni rally car. Many of the Chrysler concept car designs included here are signed by such artists as Svensen Kreiling and the famed Stewart Reed. The album opens with concept car designs for the 1979 Chrysler Cordoba 300 offering views of a concept car mock-up not only featuring a split between two different designs but also different wheels as well as views of the designs littering the walls and ceilings of the Chrysler Corp. Design Group studios. It also shows the nascent red & blue pinstriping on silver when the eventual production model featured that on a white background. Also shown are the development photos for the rebadged Dodge Challengers and Dodge Chargers basically reusing the Mitsubishi Galant Lambda as a base. Many of these Chrysler/Dodge/Plymouth Mopar concept cars are shown with a variety of artists’ renderings for Targa tops sleek modern lines and colours which unfortunately for Chrysler never made it into general production because if they had Chrysler may not have needed the 1979 bailout by the US Government. Of particular interest are the artists renderings of a 1978 Dodge Omni as a rally car and two very early concept designs for the Dodge/Chrysler minivan project led by Stewart Reed. The unsung Dodge Omni and Plymouth Horizon developed by Chrysler’s European Division were Chrysler’s first front-wheel compact car beating the K-Car to market by over three years and with its’ handling and popularity even received the attention of Carroll Shelby who worked to convert them into true performance race cars. The Minivan would remake the American auto market from the time of its eventual production introduction in 1984 revive the fortunes of Chrysler and spawn many competitors such as the Chevrolet Astro Ford Aerostar Toyota Previa and many others. Reed worked in Chrysler’s design group from 1971 to 1980 as part of the initial Minivan design team then Toyota’s Calty Design Research Inc. in Newport Beach CA and after 1994 operated his own design studio in Plymouth MI creating such concept vehicles as the 1998 Gear Box SUV and the 2001 Cunningham C7 Car. See: David Zatz The Chrysler Cordoba And 300: “Personal Luxury” Allpar Feb. 9 2017; Pete Dunton 1978-1990 Dodge Omni -- the Little Car that Rescued Chrysler Old Car Memories Nov. 24 2018; William Stopford The Most Obscure Special Editions and Forgotten Limited-Run Models: Mopar Edition Part III -- A Trip to Aspen Curbside Classic Nov. 13 2015. Chrysler Corp., unknown
1901réf. 891941901. DESIGN KOSUGI Sugimura & YOKOI Tokifuyu designers. DAI NIHON BIJUTSU ZUFU 4 vols. Tokyo Yoshikawa Hanshichi Meiji 34 1901. 4 plate volumes orihon folding albums illustrated with 154 pages of color woodcut. 25.1 x 18.5 cm Complete as such BUT not including the 4 text volumes. A lovely compendium of traditional design. Very good colors impression and condition. Volume 4 is split at one fold; its rear cover is detached and its front cover attached with a tissue repair. unknown
1901réf. 891941901. DESIGN KOSUGI Sugimura & YOKOI Tokifuyu designers. DAI NIHON BIJUTSU ZUFU 4 vols. Tokyo Yoshikawa Hanshichi Meiji 34 1901. 4 plate volumes orihon folding albums illustrated with 154 pages of color woodcut. 25.1 x 18.5 cm Complete as such BUT not including the 4 text volumes. A lovely compendium of traditional design. Very good colors impression and condition. Volume 4 is split at one fold; its rear cover is detached and its front cover attached with a tissue repair. unknown books
1961réf. 83851New York: Atheneum 1961. First Edition. First Printing. Octavo 22cm; blue cloth-covered boards with titling stamped in gilt on spine; bright red topstain; yellow endpapers; dustjacket; xii23-3675pp. Faint foxing to fore-edge of textblock else Near Fine. Dustwrapper designed by Bill English with photograph by Jean Hollyman unclipped priced $4.95 with trivial surface wear else Near Fine. A strikingly fresh copy with no loss of color to spine panel of dustjacket. Contents include Book the First Education for the Citizen and Book the Second The Citizen and the World and follows high school student "Mollymauk" as he navigates karate hypnosis and meeting the wishes of his dream girl. Its satirical film adaptation 1966 was produced directed and co-written by George Axelrod and starred Roddy McDowall Tuesday Weld and Lola Albright. Hine coauthored projects with his wife Sesyle Joslin and the pair also published works with the pseudonym G. B. Kirtland. 83851. Atheneum unknown
1961réf. 83851New York: Atheneum 1961. First Edition. First Printing. Octavo 22cm; blue cloth-covered boards with titling stamped in gilt on spine; bright red topstain; yellow endpapers; dustjacket; xii23-3675pp. Faint foxing to fore-edge of textblock else Near Fine. Dustwrapper designed by Bill English with photograph by Jean Hollyman unclipped priced $4.95 with trivial surface wear else Near Fine. A strikingly fresh copy with no loss of color to spine panel of dustjacket. Contents include Book the First Education for the Citizen and Book the Second The Citizen and the World and follows high school student "Mollymauk" as he navigates karate hypnosis and meeting the wishes of his dream girl. Its satirical film adaptation 1966 was produced directed and co-written by George Axelrod and starred Roddy McDowall Tuesday Weld and Lola Albright. Hine coauthored projects with his wife Sesyle Joslin and the pair also published works with the pseudonym G. B. Kirtland. 83851. Atheneum unknown books
1959réf. 43760Gouda: Drukkerij v/h Koch & Knuttel 1959. First edition. Softcover. g to vg. Large quarto 11 3/4 x 8". Unpaginated. 24pp 3 transparent colored acetate pages. Original photo-illustrated wrappers. Illustrated title page. This splendidly produced booklet was intended as a promotional New Year's gift of publisher Koch & Knuttel in Gouda Holland the hometown of photographer and designer Piet Marée who designed the said booklet. This work contains 9 full-page b/w photographic reproductions of artwork by Belgian Avant-gardist artist Pierre Toebente 1919-1997 whose entire oeuvre addresses only one major theme namely the human being of which he chose three aspects: the female body the child and the mask. Eight of the nine artworks featured in this booklet are wooden masks and the last one depicts a female torso also executed in wood. Photographs and book design by the famed Dutch graphic designer Piet Marée 1903-1999. Minor shelf wear along edges of wrappers. Little discoloration spot at upper margin of half-title. Text in Dutch. Wrappers in overall good to good interior in very good condition. Drukkerij v/h Koch & Knuttel unknown
1959réf. 43760Gouda: Drukkerij v/h Koch & Knuttel 1959. First edition. Softcover. g to vg. Large quarto 11 3/4 x 8". Unpaginated. 24pp 3 transparent colored acetate pages. Original photo-illustrated wrappers. Illustrated title page. This splendidly produced booklet was intended as a promotional New Year's gift of publisher Koch & Knuttel in Gouda Holland the hometown of photographer and designer Piet Marée who designed the said booklet. This work contains 9 full-page b/w photographic reproductions of artwork by Belgian Avant-gardist artist Pierre Toebente 1919-1997 whose entire oeuvre addresses only one major theme namely the human being of which he chose three aspects: the female body the child and the mask. Eight of the nine artworks featured in this booklet are wooden masks and the last one depicts a female torso also executed in wood. Photographs and book design by the famed Dutch graphic designer Piet Marée 1903-1999. Minor shelf wear along edges of wrappers. Little discoloration spot at upper margin of half-title. Text in Dutch. Wrappers in overall good to good interior in very good condition. Drukkerij v/h Koch & Knuttel unknown books
2015réf. 1973First Edition. Artists' book 136 pp. : illustrations in color. Small 4to. Near fine. Illus. stiff wraps with unique collage element on the front cover. 1973 Winant's first major artists' book which includes texts by Matthew Brannon Moyra Davey Courtney Fiske Jim Fletcher Kenneth Goldsmith Jonathan Griffin Geoffrey Hilsabeck Michael Ned Holte Sarah McMenimen Anna Livia Alexander Provan Ross Simonini and John Yau. Per the 2016 review by PhotoEye the work is named after the 1974 Phillip Roth book of the same title yet "My Life as a Man makes no apparent contextual reference to Roth's book but the cover does appear as a small image multiple times in Winant's book. From the opening sequence which groups an image of a naked woman laying face down on a table under the watchful eyes of a team of male doctors with various other images of men gazing at woman it's clear the work offers a pointed critique of the ways in which the female form and gestures are controlled and imaged." Though the edition size is unstated the work is very rare and each copy comes with a unique collaged image on the cover and a folded poster of nearly completed New York Times crossword puzzles by Winant's mother. Horses Think Press
2015réf. 1973First Edition. Artists' book 136 pp. : illustrations in color. Small 4to. Near fine. Illus. stiff wraps with unique collage element on the front cover. 1973 Winant's first major artists' book which includes texts by Matthew Brannon Moyra Davey Courtney Fiske Jim Fletcher Kenneth Goldsmith Jonathan Griffin Geoffrey Hilsabeck Michael Ned Holte Sarah McMenimen Anna Livia Alexander Provan Ross Simonini and John Yau. Per the 2016 review by PhotoEye the work is named after the 1974 Phillip Roth book of the same title yet "My Life as a Man makes no apparent contextual reference to Roth's book but the cover does appear as a small image multiple times in Winant's book. From the opening sequence which groups an image of a naked woman laying face down on a table under the watchful eyes of a team of male doctors with various other images of men gazing at woman it's clear the work offers a pointed critique of the ways in which the female form and gestures are controlled and imaged." Though the edition size is unstated the work is very rare and each copy comes with a unique collaged image on the cover and a folded poster of nearly completed New York Times crossword puzzles by Winant's mother. Horses Think Press books
2008Hardcover Like New. Ships directly from publishers. Pls. allow a minimum of 25 business days delivery time being a new book from publisher.
2014Skira, 2014. Libro fotografico, testi in inglese. Rilegato con copertina rigida e sovraccoperta. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with unclipped dust jacket in fine conditions, no inscriptions or markings inside. Worldwide delivery.
réf. SONG3527286225Used: Good unknown
