Design

Design — marelibri

BUFFON, George Louis Le Clerc deAntiquariat.de

Naturgeschichte der Vögel. 1-3. 5. 7. Band.

1788réf. ALDR0629Brünn, gedruckt bei Joseph Georg Traßler und im Verlage der Kompagnie (ab Bd 5: und im Verlage R. A. Schrämbls) 1786-1788. 5 Bde. 8°. 324 S., S. 333-421 (Ss. 325-332 fehlen), mit XXI gest., kol. Tafeln, 3 nn. Bll.; 324 S., mit XXII-LX (= 39) gest., kol. Taf., 4 nn. Bll.; 356 S., mit LXI-LXXVII (= 17) gest., kol. Taf., 4 nn. Bll.; Titelbl., 427 S, mit CII-CXL (= 38 v. 39) gest., kol. Tafeln (Taf. CCXVIII fehlt); 482 S., mit CCIII-CCXLIX (= 48) gest., kol. Taf., 5 nn. Bll., mit einigen Zierleisten. Marmorierte Lederbände der Zeit, Rückenschildchen und Rückenverzierung in Goldprägung, einige Bände mit großt. abgeriebenen kleinen Papierschildchen mit handschriftlicher Zählung, Einbanddeckel mit Streicheisenlinien gerahmt, Vorsätze rot marmoriert, Buchschnitte rot gefärbt, bestoßen und berieben, teilw. mit Kratzspuren u. etwas fleckig, an den Kapitalen meist schadhaft, Rückenleder rissig, Leder entlang der Gelenke eingerissen, Bindungen locker. Seiten insgesamt schwach gebräunt bzw. braunfleckig, selten stärker gebräunt, kaum fleckig, mit Randausriss ohne Textverlust im Titelblatt des zweiten Bandes, im siebenten Band fehlt die untere Hälfte des Titelblattes. Mit Bleistiftanmerkungen und -anstreichungen im Text, jeweils einer Zahl in alter Tintenschrift am vorderen Schmutzumschlagblatt oder fliegenden Vorsatzblatt verso. - Aus dem Nachlass des Architekten Johannes Spalt, der es aus der Bibliothek des Architekten Josef Hoffmann erhalten hatte. Mit Spalts Namenszug und dem handschriftlichen Zusatz 'Aus Josef Hoffmanns Bibliothek' mit Bleistift am vorderen Schmutzumschlagblatt avers. VD18 90176952. Vgl. Graesse 1,568 - altösterreichischer Nachdruck der ersten drei, des fünften und siebenten Bandes der umfassenden 'Naturgeschichte der Vögel' des bedeutenden französischen Naturforschers Buffon (1707-1788). Die französische Originalausgabe 'Histoire naturelle des oiseaux' in zehn Bänden erschien erstmals 1770-1786, die deutsche Ausgabe ab 1772. Übersetzer der vorliegenden ersten drei Bände war Friedrich Heinrich Wilhelm Martini (1729-1778), den fünften und siebenten Band übersetzte Bernhard Christian Otto (1745-1835). Ansehnliche Exemplare mit allen - nur Tafel CCXVIII fehlt - sorgfältig altkolorierten Tafeln. Das schadhafte Titelblatt und die fehlenden Seiten aus dem ersten Band liegen in Kopie bei. [3 Warenabbildungen]

Antiquariat Löcker · Autriche800,00 €

[Set design photographs] John Robert Lloyd (production designer)Biblio.com

Small archive of 43 photographs three large format color slide transparencies and a set illustration reproduction belonging to production designer John Robert Lloyd 1954-circa early 1960s

1960réf. 169927N.p.: N.p. 1960. An archive of 43 photographs 3 large format color slide transparencies and a set illustration reproduction totaling 47 items all belonging to art director and production designer John Robert Lloyd. Shot and struck between 1954 and early 1960s. The archive includes 26 set design photographs 8 on-the-set photographs 3 reference photographs and 6 vernacular color photographs. 32 of these are borderless single-weight photographs and 2 are double weight satin-finish photographs. The remainder are bordered photographs. Detailed inventory available upon request. Renowned art director and production designer John Robert Lloyd began his career in television in the early 1950s working as set designer and art director on noted television anthology series such as "Lux Video Theatre" 1950 "The Adventures of Ellery Queen" 1952 and 1954 "Schlitz Playhouse" 1958 and most notably "General Electric Theater" 1954-1959 with examples from eight "General Electric Theater" episodes found in the archive here. By the late 1960s Lloyd began working as a production designer in film most notably "Midnight Cowboy" 1969 "The Boys in the Band" 1970 "The Owl and the Pussycat" 1970 "The Exorcist" 1973 uncredited art director and "Clue" 1985 among many others. The majority of the archive is grouped by production with a half-sheet title page for eight of the nine identified productions with six of the photographs and the three large format color slide transparencies from unidentified productions. Eighteen of the photographs have hand-written labels affixed to the versos identifying the production the set depicted a photograph ID number and the photograph size. The identified productions include: Three set design photographs for "General Electric Theater: The Long Way 'Round" season 3 episode 5 which aired on CBS on October 10 1954. Six set design photographs for "General Electric Theater: I'm A Fool" season 3 episode 8 which aired on CBS on November 14 1954. Two set design photographs for "General Electric Theater: D.P." season 3 episode 16 which aired on CBS on January 9 1955. One set design photograph for "General Electric Theater: Love Is Eternal" season 3 episode 21 which aired on CBS on February 13 1955. Three set design photographs and six vernacular color on-the-set photographs for "General Electric Theater: Mr. Blue Ocean" here under the working title "The Courtship of Mr. Blue Ocean" season 3 episode 31 which aired on CBS on May 1 1955. The vernacular photographs depict the actors in the production Boris Karloff Susan Strasberg and Anthony Perkins though not clearly focusing on the set design. Five on-the-set photographs for "General Electric Theater: Second Stranger" season 5 episode 7 which aired on CBS on October 28 1956 four featuring actor Burl Ives. Three set design photographs and one on-the-set photograph for "General Electric Theater: The Breach" here under the working title "The Letter" season 5 episode 12 which aired on CBS December 9 1956. The on-the-set photograph depicts actors Betty Field and Marian Seldes though not clearly focusing on the set design. One set design photograph and one set illustration reproduction for "General Electric Theater: A Child Is Born" season 5 episode 14 which aired on CBS on December 23 1956. The set design illustration is affixed to the verso of and folds behind the title card. And six set design photographs for "Suspicion: Diagnosis: Death" season 1 episode 25 which aired on NBC March 31 1958. The remaining six photographs are from unidentified productions and include three reference photographs two on-the-set photographs and one set design photograph all circa late 1950s and early 1960s. The three large format color slide transparencies circa late 1950s are all reference images from unidentified productions likely beer commercials for the anthology television series "Schlitz Playhouse" as two of the slide transparencies and one of the six unidentified photographs whose actors and setting match the third slide transparency prominently feature the beverage in the image. 37 set design on-the-set and reference photographs 7 x 6.5 inches to 8 x 10 inches. Very Good plus with cello tape residue to the far left edges. Six vernacular color photographs 3.25 x 3.25 inches. Very Good plus with small patches cello tape residue to one or more of the corners. Three large format color slide transparencies 5 x 4 inches. Near Fine. Set illustration reproduction 16 x 8.5 inches. Very Good plus with two vertical folds and cello tape residue to the left edge. N.p. unknown