10 989 résultats
1609réf. 18688Text in Latin. 2nd enhanced edition. Black straight-grain morocco leather over bevel-edge wood boards; gilt ruled frames on covers; brass clasps at fore edge; gilt title and rolls on spine; French Stormont pattern marbled end papers; two color print throughout; large font throughout; woodcut decorative drop-cap initials throughout. Clean covers and spine; front cover detached; light edge wear somewhat heavier at cover fore corners; brass clasps are intact and VG condition; rear cover spine and text block are tightly bound; lacking Title Page and 3 other prelim leaves ll. 7 8 1 and 4 interior leaves including 4 plates pp 56 250 264 314; ll. D4b Q5b R4b V5b; 53 intact full page copperplate engravings and 35 of 38 1/3 page engraved tailpiece vignettes range from Good but light to Fine though 1 plate has light ink attempt to cover angels privates p. 662; l. Tt1b; few light smudges interior otherwise very clean. Note that leaf 7 is lacking which has dedication or honors the pope; catchword at tail of l. 6b is 'PAV' indicating Pope Paul V 1605-1621 on missing leaf rather than Clement VIII 1592-1605 as in some copies. 23 x 17 cm; 696 pp. Antverpiae (Antwerp): Ex Officina Plantiniana, Apud Ioannem Moreti (Plantin-Moretus Press) hardcover
1573In-4°; pp. 492, (4), segue Hymni per totum annum... pp. 70, (2) con colophon Antverpiae excudebat Christophorus Plantinus Architypographus Regius anno MDLXXIII; frontespizio stampato in rosso e nero, entro bordura xilografica e al centro un grande tondo con l’Ascensione della Vergine (il monogramma di firma A.V.L, Antonius van Leest, l’incisore.). L’intero testo (tranne le ultime 70 pagine) è stampato con parti in rosso, ogni pagina entro ricca bordura xilografica a quattro legni. Nel testo illustrazioni di Pieter van der Brocht incise su legno da Antonius van Leest (i nomi dei due artisti fiamminghi si trovano espressi per intero nell’ultima illustrazione, quella dell’Apocalisse, con data 1572; nelle altre incisioni con i monogrammi). Rara edizione, e una delle prime, riccamente illustrata dell’Officium riformato di Pio V, libro d’ore di Plantin, qui nella versione (Variante C) con illustrazioni e bordure xilografiche. Le xilografie a piena pagina sono 19. Legatura in piena pelle con titolo in oro al dorso. Alcuni fori di tarlo passanti al margine interno bianco delle prime e ultime carte.
réf. 1638025X33 cm.
1864réf. 254701864 Le Charivari, trente-troisième année, 30 décembre 1864 Lithographie - texte imprime au dos,bon etat.
réf. HD-217o.J. Oh Himmel, Madeleine, ich bin sicher dass Sie das Kind auf der Strasse haben schreien lassen: Es lebe die Republik! Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert & Cie Pl. de la Bourse,29., sowie: Imp.de Me.Ve. Aubert 5 rue de l'Abbaya à Paris. Darstellungsgröße 22,7:20,9 cm, Blattgröße 28,6:22,4 cm. Literatur: Daumier-Register 2043 II (von 2); Delteil 2043 II (von 2), Blatt Nr. 34 der Serie ?ACTUALITÉS.?, erschienen 06.12.1850 in ?LE CHARIVARI?. ? Sur blanc!
1970réf. 880521970. 18,8 x 26,7 cm, Blattgröße 26,7 x 36,5 cm.
Each 211 x 168 mm. In identical gilt wooden frames. A pair of atmospheric oriental genre scenes by an unidentified, but obviously professionally trained artist, masterfully capturing the light and mood: a mosque's courtyard with visitors and beggars, and a small bazaar with merchants, pedestrians, and a belly dancer within the picturesque environment of humble dwellings.
1992VG paperback . Auction catalogue. 10090 eng
1866réf. biblio546Montréal: John Lovell 1866. Very Good. Tinted lithograph after photograph 255x330 mm brownished margins not affected image Small spot in the sky John Lovell unknown
1924Roy. 4to., First Edition, on laid paper, with a fine frontispiece in photogravure (original captioned guard present) and 86 fine plates (a number in photogravure with captioned guards), free endpapers lightly browned, neat inscription on front paste-down; blue cloth, bevelled boards, upper board framed and lettered in gilt, gilt back, gilt top, uncut, a near fine copy. EDITION LIMITED TO 1250 NUMBERED COPIES (THIS COPY NO. 507).
2000réf. 12691Somptueux catalogue. Nombreuses reproductions en couleurs. Liste des résultats jointe. Broché sous couverture illustrée. Très bon London Christie's 2000 1 volume in-4°
2000réf. 12693Somptueux catalogue. Nombreuses reproductions en couleurs. Liste des résultats jointe. Broché sous couverture illustrée. Très bon London Christie's 2000 1 volume in-4°
1999réf. 12699Somptueux catalogue. Nombreuses reproductions en couleurs. Liste des résultats jointe. Broché sous couverture illustrée. Très bon London Christie's 1999 1 volume in-4°
2001réf. 12767Somptueux catalogue. Nombreuses reproductions en couleurs. Liste des résultats jointe. Broché sous couverture illustrée. Très bon London Sotheby's 2001 1 volume in-4°
1999réf. 12702Somptueux catalogue. Nombreuses reproductions en couleurs. Liste des résultats jointe. Broché sous couverture illustrée. Très bon New York Christie's 1999 1 volume in-4°
1999réf. 12703Somptueux catalogue. Nombreuses reproductions en couleurs. Liste des résultats jointe. Broché sous couverture illustrée. Très bon London Christie's 1999 1 volume in-4°
1924This is a very good hardcover copy in dark blue cloth with gilt titles and front cover device and bevelled edges. Minimal scuffing to the covers. Inside is fresh and clean. 36 text pages + 96 illustrations including a number of tipped-in color plates. Almost the whole dust jacket is laid-in at the rear (in 2 pieces, the front panel & rear panel). Folio, 12" high X 10" wide.
19658vo., with numerous plates; blue cloth, gilt back, a very good, bright, clean copy in unclipped dustwrapper. Reissue of a classic work first published in 1927.
1908This is an about very good hardcover copy that has been rebound in red cloth, with the front cover of the original edition laid down. This red cloth cover has the title in faded gilt letters and a frame decoration in black with a cameo portrait of the horse 'Gladiator'. There is also a black leather title label on the spine with title in gilt. Internally the text pages which are on soft acidic paper are foxed, the plates, both color and black & white are generally clean and free of foxing. A few color plates have some light foxing on the backs of the pages. Also bound in is the 15 page 'List of a few Exceptionally Attractive Prints'. Some of these pages are also foxed. 11" high X 8" wide, 82 text pages + color plates. 31 black & white + 35 color plates + color frontis. Complete as per the list of illustrations. This book will be securely wrapped and packed in a sturdy box and shipped with tracking..
Linoleumgrafia a 6 colori Firma a matita. Timbro a secco dello stampatore Giorgio Upiglio, Milano Grafica Uno. Stampata su carta BFK Rives. Esemplare p.d.a.. cm 85x65 (Foglio 89,5x69,5). . . . . Tiratura Waddington Graphics. .
réf. 241930 Planche N°35, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon, toute petite trace de punaisage sur l'extrémité de 3 angles de la marge (Our plate is one of the few copies printed on Japanese paper. Original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales offertes en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1973Cinque acqueforti originali su carta color ocra, numerate e firmate, di Walter Piacesi (cm 19x18,5). Uno scritto di Carlo Bo, intitolato ''Lorca, oggi e sempre'', con firma autografa dello scrittore ad inchiostro blu Carta a mano Fabriano. Cm 33x46. pp. 6 + incisioni. . Perfetto (Mint). . Prima edizione di 100 es. numerati. .
Acquaforte. Opera appartenente al portfolio pubblicato in occasione del 500° anniversario della nascita di Michelangelo Firma e numerazione a matita. Stampata su carta Zerkalbutten da 250 gr da Schneider, Berlino. Esemplare 173/200. Cm 34x50 (Foglio 60x80). . . Perfetto (Mint). . Tiratura 200 + XX p.d.a.. .
Litografia a 7 colori. Opera appartenente al portfolio pubblicato in occasione del 500° anniversario della nascita di Michelangelo Firma e numerazione a matita. Stampata su carta Arches da 250 gr da Mourlot, Parigi. Esemplare 173/200. Cm 80x60. . . Perfetto (Mint). . Tiratura 200 + XX p.d.a.. .
