10 788 résultats
1924réf. 55198Lucien Vogel éditeur | Paris 1924-1925 | 18 x 24 cm | une feuille
1935réf. 583CGBasel, Wassermann, o.J. (um 1935). Farblithographie. Bildformat: 65 x 90 cm.
1924- Lucien Vogel éditeur, Paris 1924-1925, 18x24cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en haut à gauche de la planche. Gravure originale réalisée pour l'illustration d
19268vo., First Edition thus, with engraved frontispiece, 40 engravings (a number full-page) and large folding map; elegantly bound in full dark green crushed morocco, sides with gilt frame border, back with raised bands, second and fourth compartments lettered and ruled in gilt, all other compartments tooled in gilt, gilt edges, gilt doublures, hand-made endpapers, ribbon marker, in custom-made marbled slip-case, an elegant copy ideal as a gift or for presentation. navy buckram, gilt back, bevelled boards, gilt top, covers very lightly age-soiled. backstrip sunned (but all gilt wholly legible) else a very good, bright, clean copy. EDITION LIMITED TO 1500 COPIES. Printed from the plates of Macmillan's definitive Wessex Edition and so including both the expanded Preface of 1912 and the episode of the dance at the hay-trusser's (pp.76-79) present there for the first time. See Purdy p.77.
19268vo., First Edition thus, with engraved frontispiece, 40 engravings (a number full-page) and large folding map, neat contemporary signatures on front paste-down; original navy buckram, bevelled boards, gilt back, gilt top, uncut, boards very lightly age-marked, backstrip mildly faded (but all gilt wholly legible), a bright, clean, crisp copy. EDITION LIMITED TO 1500 COPIES. With the trade ticket of Gilbert of Southampton on front paste-down. Printed from the plates of Macmillan's definitive Wessex Edition and so including both the expanded Preface of 1912 and the episode of the dance at the hay-trusser's (pp.76-79) present there for the first time. See Purdy p.77.
1935réf. 583CGBasel, Wassermann, o.J. (um 1935). Farblithographie. Bildformat: 65 x 90 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 583CG
réf. 66428unknown
1947Litografia originale numerata e firmata a matita dall'Artista. Una delle prime litografie di Guttuso (n. 5 del catalogo Renato Guttuso, Opera Grafica a cura di Paolo Bellini, Club Amici dell'Arte Editore, Milano 1978) Opera allegata al n. 11 (gennaio 1949) della rivista L'Immagine, diretta da Cesare Brandi, pubblicata a Roma dal maggio 1947 al dicembre 1950. L'edizione speciale di ogni numero della rivista conteneva sciolta una o più incisioni originali in tiratura di 50 esemplari di cui 30 in numerazione araba dedicate ad personam e XX in numerazione romana. La presente incisione reca il numero 15/30 ed era allegata alla copia della rivista dedicata a Riccardo Gualino. Cm 21x15 (Foglio 24,8x17,2). . . Ottimo (Fine). . Prima ed. di 1000 es. numerati e firmati dall'A.. .
1789réf. 6848CBCellerina, Giuseppe Bistzi, 1789. 8°. (12) Bl., 1047, (9) S. Lederband der Zeit in zeitgenössischem Halbschuber. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C [3 Warenabbildungen]
1834réf. 251291834 Heads of expressions Charles Joseph Traviès de Villers, dit Traviès (1804-1859). Caricature de presse. "Têtes d’expressions".PL.412 Planche parue dans "La Caricature" du 14 août 1834. Lithographie. Dimensions: 260 mm X 340 mm - SUR PAPIER BLANC,pli central
1787réf. 269371787 [Paris] : [s.n.], 1787- 1 est. : eau-forte, outils, colorié à main levée ; 8,7 x 5,3 cm (tr. c.) Appartient à : Tableaux de la Fable ; ou Nouvelle Histoire poétique des Dieux ; Demi-Dieux et Héros de la Fable, représentée par figures et accompagnée d'explications Dédiés à Madame la Comtesse de Genli- GRASSET DE SAINT-SAUVEUR (J.) et MARECHAL (Sylvain)- 1785
1935réf. 5108DBLondon, Cook and Son, Ltd. 1935. 8° (14,6 x 10,5 cm). 16 S. mit doppelseitiger Illustration von Eiger und Mönch. illustrierte geheftete Broschur.
1836réf. 187801836 London VIRTUE IVY LANE (1836) - IN4 demi chagrin rouge,dos orné de caissons dorés,tranches dorées1ª ed. 16x24.5. 2 vols. de 116pp.+ 112pp., 94 gravures sur acier en noir ht.Quelques ousseurs en marge,sinon bon etat
1921réf. 54889Lucien Vogel éditeur | Paris 1921 | 18 x 24 cm | une feuille
1921réf. 57546Lucien Vogel éditeur | Paris 1921 | 18 x 24 cm | une feuille
réf. 005025Éditeur : Bamboo Publishing, London Date d'édition : 1993 Reliure : Couverture rigide Etat du livre : Très bon Etat de la jaquette : Très bon Edition : Edition originale
réf. ART400MNon daté / 94 pages. Relié. Editions Oberon Press
réf. 659Londres, David Bogue, 1852., Couverture souple In-12, reliure entoilée ornée sur le plat supérieur d'une figure grotesque. Reliure frottée et légèrement déboîtée. Intérieur frais.
1849réf. 255161849 LE CHARIVARI Aubert et Cie, imprimeur-lithographe. 1849- Lithographie - Hauteur: 35.9cmx Largeur: 27.6cm - Description:Planche n°43- Assemblée législative, . -1 feuillet (4 pages) numéro complet ; illustration page 3.-- texte imprime au dos,bon etat,rousseurs.
1913réf. 7911CBBoston, Page, 1913. 8°. X, 489 S. Mit Illustr. von Woldemar Ritter. Goldgepr. Orig.-Leinenband.
2010réf. AR160Athens 2010. Gd in-4o, 533 pp. with hundreds of colour illustrations mostly in full page. These works were exhibited at the Municipal Gallery of Athens from the 17th February to the 3rd of July 2011 in two parts: A) XVth century-Rococo, Academy Realism, Impressionism, Vienna Secession, Fauvism, Expressionism, Cubism, Abstraction, New Objectivity, Drawings. B) Surrealism, the Paris School, Portrait-Nude-Still life, Art in the first post-war decade, Art in the 1960s, Neo-fauves, Prints. Full cloth binding, illustrated jacket. Brand new copy of a total 1000 copies edition. N.B. There is a greek edition also available at the same price.
réf. 16367London, Pulman. 36X25 cm.
1893réf. 261551893 Les peintres-lithographes : album trimestriel de lithographies originales et inédites 1893 - belle epreuve sur chine collé. tres claires rousseurs en marge. toutes marges, dimension feuille : 320 x 460mm.. timbre, tirage à 100 ex.
1895réf. 14307Bois colorié, 3 feuilles assemblées. From the story of the heroes and heroines in "The Tale of Heike". "Kusunoki Masatsura Shijonawate Chusen no Zu". Kusunoki Masatsura (The son of the famous warlord Kusunoki Masashige), and two retainers are fighting against the shower of arrows from the enemy troop. En feuilles Très bon 1895 37 x 71,5 cm
réf. 241640 Planche N°48, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon, toute petite trace de punaisage dans l'extrémité de la marge supérieure gauche (Our plate is one of the few copies printed on Japanese paper. Original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales offertes en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
